And now, for some hand drawn flowers.
When trying to think of the perfect holiday present, I came up with an idea for a new book arts project.
My love for old things, 18th and 19th century botanical drawings, flora, and books decided to tie themselves together for this one. You have probably already seen my post about P is for Plants, the second book in this as yet untitled series, so I won't bore you with too many unnecessary details but this is the book project that began it all.
In this book I worked only with lettering and line drawing, keeping things rather simple to see how it would play out. It was also less like a field journal, with just common and Latin names for each of the flowers, instead of details about them as well.
Having done two books in this style so far, I'm feeling like there is a lot of potential for further projects and for turning this into some sort of series. I guess we'll see where it goes!
The complete book and an image of each page can be found on my website
The Marin MoCA's annual Altered Book Exhibition and fundraiser opens tomorrow and this year I have a book featured. I'll be one of 150 artists with a piece up for auction with the proceeds going to support the museum. It's the first time I've exhibited book art with content since college and I couldn't be more excited.
As you know, I'm quite fond of upcycling, or taking something old, used or worn and turning it into something new. With this in mind, I jumped at the challenge of creating a piece for the exhibition. It all began with an orphaned volume of the Encyclopedia Britannica that I found at a SFPL book sale a few years back. I had been using it sporadically for collaging and wrapping paper but wanted to do a larger scale project with it.
The volume I had was PLANTS to RAYM and, given my obsession with plants, it naturally seemed that that should be the subject for this book.
I started out by making a list of plants I wanted to include. I won't lie, I chose ones that I liked, but also tried to have a mix of flowers, green plants, and fruit bearing plants. Then, with a decent amount of Internet searching for models, I sketched each page out in my notebook before moving on to the actual pages.
I really love the botanical field journals of the 18th and 19th centuries so while researching, I took short notes about each plant I was drawing so that I could add notes, making the final book have a bit of a field journal air to it.
It was quite laborious given that I'm not known for my penmanship, drawing isn't my strong suit, and neither is coloring, but I wanted to push myself so each page was sketched, inked with Micron pens, and colored with colored pencils. I'm rather pleased with the results.
The final structure is an accordion, hinged with Lokta paper, with hard covers that have a mock half binding appearance. The backside of the book is lamented with un-altered encyclopedia pages. The book is unique and not editioned. More images, and artist statement, and the complete book layout can be found on my website.
